Night Sail. Art Quilt by Jean Baardsen |
To go to the beginning of this book, Tropic Moon: Memories, click HERE.
It was time to head north again. I had been a little
(??) apprehensive about the sail to Antigua, because it was going to take us
two days and nights. I'd never
gotten fond of the long passages. The trip was, if anything,
anticlimactic. We left Bequia May 6th, at 8:00 a.m., and
were anchored at Sandy Island, Antigua by 10:00 a.m. on May 8th, having covered
220 miles. Our standard procedure was for Ed and I to alternate watches,
two hours on and two hours off. On a long sail, we made an entry
in the log each time we came off watch, usually just noting the time and
mileage, with an occasional comment. The sum total of comments for our
50-hour trip to Antigua read as follows:
St. Lucia Channel
Abeam Pitons
Off St. Lucia
In the middle of nowhere (guess who wrote that one?)
Off Dominica
Becalmed
Ditto
Almost abeam Les Saintes
Abeam Guadeloupe
Passing Montserrat
Abeam Antigua
The most interesting parts of the day on passage are dawn
and dusk. I got a little nervous as
night closed in on us. I found myself
straining to continue to make out the horizon ahead, or the island to
starboard, as all subsided into inky darkness.
I would take a deep breath, adjust my mind to the blindness, and tune in
to watching for distant lights to indicate the possibility of approaching
ships. I felt I kept a more careful
night watch than Ed. They say that from
the time you spot a ship on the horizon, till that ship reaches your boat,
would be about fifteen minutes. Not
very long if you have to take evasive action.
My recurring childhood nightmare was of being in the water at night,
with a large black hull bearing down on me.
I decided that if that were ever going to happen, it wasn’t going to be
on my watch. (Famous last words…)
The more perceptive readers among you, well aware that Ed
could hardly walk, might wonder what the hell we were doing on a 50-hour
sail, standing two-hour watches. The simple fact was that Ed learned to
sail laying down. With a cushion propping up his head, Ed stretched out
along one side of the cockpit, and handled the wheel with one hand. Since he couldn't see the compass from that position, he
followed John Masefield's advice and used "a star to steer her
by." Here’s the first stanza from "Sea Fever." The
poem didn't mean much to me when I was a landlubber, but it means quite a
bit now.
I
must go down to the seas again, to the lonely sea and the sky,
And
all I ask is a tall ship and a star to steer her by;
And
the wheel's kick and the wind's song and the white sail's shaking,
And
a grey mist on the sea's face, and a grey dawn breaking.
Dawn breaking on that last day was especially sweet because
we had been approaching the south shore of Antigua in the dark. We could
see a smattering of lights along the coast, but as Antigua didn't go in much
for lighthouses, there was nothing to indicate the western edge of the
island. But, just in time, dawn first sketched the dim outline of the
island, and then filled in the details with mountain peaks, beaches and palm
trees - a familiar, and very welcome sight.
1 comment:
I LOVE the quilt. Did you work on these while on board or after you retuned home? I like reminder of the poem too. A segment filled with omens!
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